![]() The result is another inspired entry from Blue Note's recent resurgence - one lyrically personal and aurally inviting. Vocalist Arooj Aftab and bassist Kai Eckhardt - Karpeh's uncle - also enhance the proceedings. ![]() On KARPEH, Cautious Clay is joined by esteemed Blue Note colleagues: trumpeter Ambrose Akinmusire, saxophonist Immanuel Wilkins, vibraphonist Joel Ross, guitarist Julian Lage, and others. "I just wanted to give an experience that felt concrete and specific enough - to be able to live inside of something that was a part of my journey." It's a family of, obviously, Black Americans," he notes. In three acts - "The Past Explained," "The Honeymoon of Exploration," and "A Bitter & Sweet Solitude," he casts his personal journey against the backdrop of his family saga.Īs Cautious Clay explains, the title is a family name his grandfather was of the Kru peoples in Liberia. Karpeh is talking about, well, KARPEH - his debut album for the illustrious label, which dropped in August. ![]() "It's sort of inseparable from my approach to this album, and to this work with Blue Note." "I'm not really a jazz artist, but I feel like I have such a deep understanding of it as a songwriter and musician," the artist born Joshua Karpeh tells. īecause this is a crucial lens through which to view him: he's jazz at his essence and not jazz at all, depending on how he wishes to express himself. But he readily cites them as lodestars - along with other genre-straddlers of Black American music, like Lionel Richie and Babyface. Ditto Quincy Jones those bona fides are bone deep, but he's changed a dozen other genres.Ĭautious Clay doesn't compare himself to those legends. Nobody can deny Herbie Hancock is a jazz artist, but jazz cannot box him in.
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